The Tall Lady With The Iceberg: The Power Of Me...
Tall Lady With the Iceberg shows salespeople, leaders, and executives how to master the power of metaphor to break through in a noisy world and sell, persuade, and explain anything to anyone. Filled with exercises, 275 examples, and 25 real world stories, this audiobook will help anyone drive home a point, open minds, simplify complexity, rally people to a cause, close business, create change, and wow a crowd.
The Tall Lady With the Iceberg: The Power of Me...
And for those whose main responsibility is professionally writing promotional communication, this power is paired with a high level of responsibility -- to your employer, your clients, and your clients' customers.
Beautiful, clear, and compelling copy without a strong core message will do little to produce results for a client. This book is the guide to understanding why some ideas have staying power and others don't. And through the authors' memorable storytelling and examples, it teaches you the principles of "stickiness" that you can apply to your own writing and branding.
Made to Stick is a compelling look at why some ideas have the power to stick in our minds. It will help you zero in on the things that are most likely to stay with your audience after they finish reading.
For pants, I generally buy BR long pants and have them taken up an inch witht he free alterations, but am looking for some other options. I have tried J. Crew and AT tall pants, but the problem is both extend the rise as well as the inseam on their tall clothes, which with my short torso, makes the pants look like Mom pants or just plain sloppy.
Fey, who is noticeably taller than her composer husband, especially when she's wearing heels, has worked with Richmond on "30 Rock," "Unbreakable Kimmy Schmidt," and the Broadway production of "Mean Girls," according to Good Housekeeping.
Although very public about their relationship on social media, they don't often discuss their height difference. However, in 2018, Ferragni shared a photo of them with their first child and the caption, "Always taller than him but this time I was wearing wedges" with a crying-laughing emoji.
Generally, growth spurts for girls start about two years earlier than growth spurts for boys. Children with precocious puberty experience early growth spurts because of the abnormally early rise in sex hormone levels in their bodies. Initially this causes these children to grow taller than other kids their age, but their skeletons mature more rapidly. Often this causes them to stop growing at an early age, and they end up being average or below average height as adults.
This sense of Lady Dimitrescu coming across as more sensual than scary was echoed by many of the people I talked to for this piece. Non-binary software engineer Adam Kuhn and their wife Crow Roberts (who is 6'1") view Lady Dimitrescu as a horror incarnation of campy characters like those played by the drag performer Divine in the filmography of beloved director John Waters. Though the two of them both agree that the tall vampire lady fills a role similar to Mr. X by chasing Village's protagonist Ethan Winters around her castle, Kuhn and Roberts are unsure if this is the sort of representation that tall women needed.
That said, while a tall vampire lady might seem like a novel villain in a big-budget video game, Felker-Martin says that Lady Dimitrescu falls into territory that is well-covered by film, novels, and other horror media. She points to the Witch of the Waste from Howl's Moving Castle as one of her favorite representations of an inhumanly tall woman character, particularly because the Witch can shift her form as she desires.
While the cultural legacy of Lady Dimitrescu seems decidedly mixed to these tall women, they do agree on one thing: She is at least entertaining. Though the character absolutely profits from an industry (and society) that sexualizes women to drive sales, she is at least an interesting (if far from original) take on a powerful woman antagonist in a medium still sorely lacking in them. Despite her much-vaunted height, Lady Dimitrescu cannot rise above the cultural forces that produced her, but she can at least have fun cutting up the Ethan Winters of the world.
A tall woman with red hair stepped out of the passenger side. She looked even taller than she was, since Stanley was down in his hole. She wore a black cowboy hat and black cowboy boots which were studded with turquoise stones. The sleeves on her shirt were rolled up, and her arms were covered with freckles, as was her face. (14.19)
And then, of course, we get the frightening and infamous nail polish scene. (We're sweating, here.) When she scratches Mr. Sir, it surprises not only Stanley, but the reader, too. And that right there is the key to her power and to the fear she inspires in others: because she's willing to hurt anyone without a second thought, you can never really know what she's going to do. In fact, her soft "Excuse me?" is more menacing than any direct attack could be, because you never know what's behind it, or where it's going to lead.
The Tolkien scholar Tom Shippey has written that Galadriel represented Tolkien's attempt to re-create the kind of elf hinted at by surviving references in Old English. He has compared his elves also to those in a Christian Middle English source, The Early South English Legendary, where the elves were angels. Another scholar, Marjorie Burns, compares Galadriel in multiple details to Rider Haggard's heroine Ayesha, and to Tennyson's The Lady of Shalott, both being reworked figures of Arthurian legend. Galadriel, lady of light, assisting Frodo on his quest to destroy the One Ring, opposed to Shelob, the giant and evil female spider of darkness, have been compared to Homer's opposed female characters in the Odyssey: Circe and Calypso as Odysseus's powerful and wise benefactors on his quest, against the perils of the attractive Sirens, and the deadly Scylla and Charybdis.
According to the older account of her story, sketched by Tolkien in The Road Goes Ever On and used in The Silmarillion, Galadriel was an eager participant and leader in the rebellion of the Noldor and their flight from Valinor; she was the "only female to stand tall in those days".[T 4][T 5] She had, however, long since parted ways with Fëanor and his sons. In Beleriand she lived with her brother Finrod Felagund at Nargothrond and the court of Thingol and Melian in Doriath. In this account, she met Celeborn, a kinsman of Thingol, in Doriath.[T 6] She carried some dark secrets from those times; she told Melian part of the violent story of the Silmarils and Morgoth's killing of Finwë, but did not mention the kinslaying of elves by elves.[T 7]
During the Second Age, when the Rings of Power were forged, Galadriel distrusted Annatar, the loremaster who taught the craft of the Rings to Celebrimbor. Again according to some of the accounts, Celebrimbor rebelled against her view and seized power in Eregion. As a result, Galadriel departed to Lórien via the gates of Moria, but Celeborn refused to enter the dwarves' stronghold and stayed behind. Her distrust was justified, for Annatar turned out to be the Dark Lord, Sauron. When Sauron attacked Eregion, Celebrimbor entrusted Galadriel with Nenya, one of the Three Rings of the Elves. Celeborn joined up with Elrond, whose force was unable to relieve Eregion but managed to escape back to Imladris. Celeborn reunited with Galadriel when the war ended; according to one text, after some years in Imladris (during which Elrond first saw and fell in love with Celebrían) Galadriel's sea-longing became so strong that the couple removed to Belfalas and lived at the place later called Dol Amroth.[T 3]
The critic Tom Shippey notes that in creating Galadriel, Tolkien was attempting to reconstruct the kind of elf hinted at by elf references in Old English (Anglo-Saxon) words. The hints are, he observes, paradoxical: while ælfscyne, "elf-beautiful", suggests a powerful allure, ælfsogoða, "lunacy", implies that getting too close to elves is dangerous. In Shippey's view, Tolkien is telling the literal truth that "beauty is itself dangerous", as Chaucer did in The Wife of Bath's Tale where both elves and friars are sexually rapacious. So when Faramir says to Sam Gamgee in Ithilien that Galadriel must be "perilously fair", Shippey comments that this is a "highly accurate remark"; Sam replies that "folk takes their peril with them into Lorien... But perhaps you could call her perilous, because she's so strong in herself."
The Tolkien scholar Mac Fenwick compares Galadriel and what he sees as her monstrous opposite, the giant and evil spider Shelob, with the struggle between the good and the monstrous female characters in Homer's Odyssey. Like Galadriel, Circe and Calypso are rulers of their own secluded magical realms, and both offer help and advice to the protagonist. They help Odysseus to avoid destruction by the female monsters, the Sirens who would lure his ship on to the rocks, and Scylla and Charybdis who would smash or drown his ship; Galadriel gives Frodo the Phial of Galadriel, which by her power contains the light of Eärendil's star, able to blind and ward off Shelob in her darkest of dark lairs. Galadriel's gifts, too, are Homeric, including cloaks, food, and wisdom as well as light, just like those of Circe and Calypso.
Being tall seems to come with the (swimming) territory. But it would be remiss to go around saying these swimmers are great because they are tall. Their grit and determination, along with countless hours in the water perfecting their technique, are where the credit is due.
In fact, taller swimmers must overcome some challenges themselves. They have more body mass to pull through the water, while often relying on more power to make up for a lack of quick reaction time (an advantage for shorter swimmers).
Swimming may not be able to make you taller, but it can make you stronger. As soon as you dive into the water, you are using every muscle group in your body. Additionally, it is a low-impact sport that uses equal parts upper and lower body without extra stress on the bones. Swimmers who spend long hours in the pool are continually developing a variety of muscles as they practice each of the four strokes. One of the tell-tale signs of a swimmer is their height, and another is those lean, tight muscles. 041b061a72